terça-feira, 24 de maio de 2011
Programa MaM - 3rd Music and Media Meeting
3rd MaM Meeting
FCSH-UNL, Lisbon, Portugal
June 10-12 2011
Friday, June 10
16h00 – Word of Welcome: Prof. Salwa Castelo-Branco (director of the INET-MD)
16h15-16h30 - Opening Address: Emile Wennekes (Utrecht University; Chair MaM)
16h30-18h00 - Presentation of “Listening to the moving images” research project:
- Manuel Deniz Silva (INET-MD) and Tiago Baptista (Cinemateca - Portuguese Film Museum), Reconstructing the Musical Accompaniment of two Portuguese Silent Movies, Os Lobos (1923) and Lisboa, Crónica Anedótica (1930)
- Pedro Rodrigues, Pedro Roxo, Hugo Silva and João Ricardo Pinto (INET-MD), Research in Music, Sound and Moving Image in Portugal
18h00-19h00 - Welcome Cocktail
Saturday, June 11
09h00-10h30 - Session 1
- Lidia López Gómez (Universidad Autónoma de Barcelona, Spain), Music and Politics in Alexander Nevsky, the Propaganda Role of Prokofiev’s Music in the Cinema.
- Teresa Fraile (Universidad de Extremadura, Spain) Popular Music and National Identity on Spanish Cinema during the 1950s
- Martin Knust (University of Stockholm, Sweden), Film better than Concert Hall? About Hugo Alfvéns Music for the Film
11h00-12h30 - Session 2
- Thijs Vroegh (Utrecht University, the Netherlands/ University of Cambridge, UK), Constructing Musical Storyworlds: A Model for Understanding the Experience and Effects of Psychological Transportation into ‘Narrative Music’
- Alessandro Cecchi (University of Siena, Italy), The Sound of Industry: Musical Experimentation in Italian Industrial Film during the 1960s
- Yayoi Uno Everett (Emory University, USA), From Nixon in China to Doctor Atomic: Repetition and Myth in John Adams’s Operas
12h30 – 14h00 - Lunch
14h00- 15h00 - Keynote Speaker: James Deaville (Carleton University, Canada), Television Music Studies: Past, Present and Future
15h15-16h45 - Session 3
- Michael Saffle (Virginia Tech, USA) “The Sopranos and Telemusical Re-presentation / Transformation”
- Juan Chattah (University of Miami, USA), Towards a Cognitive/Semiotic Model for The Investigation of Irony in Film Music
- Gaia Varon (University of Bologna, Italy), Performing Performances: Some Considerations on the Role of the Filming and Recording Crews in Classical Music Videos.
17h15-19h30 – Conference by composer António de Sousa Dias.
- Screening of Natureza Morta [Still Life], film directed by Susana de Sousa Dias, 72 min, Portugal, 2005.
Sunday, June 12
09h30-11h00 - Session 4
- Urszula Mieszkieło (Leuven, Belgium) Dance Music as an Expression of the State of Mind: The Music of Wojciech Kilar in The Leper and Jealousy and Medicine
- Ewelina Boczkowska (Youngstown State University, USA), Film's Musical Moment as a Cultural Form in Roman Polanski’s Death and the Maiden
- Marco Cosci (Università degli Studi di Pavia-Cremona, Italy), Audiovisual Recurrences
in Time: Alain Resnais’s L'année dernière à Marienbad
11h30-12h30 - Keynote Speaker: Anahid Kassabian (University of Liverpool, UK), Smartphone Apps and the Environments of the Future
12h30-14h00 - Lunch
14h00-15h30 - Sesssion 5
- Judith Cohen (York University, Toronto, Canada), Re-shaping Sephardic Music through the Media - a Perspective from Two Centuries
- Maurilio Andrade Rocha (Universidade Federal de Minas Gerais, Brazil) Brazilian Popular Song and its Relations to Urban Violence and Media
- Consiglia Latorre (Instituto de Cultura e Arte da Universidade Federal do Ceará, Brazil) Song and Technological Mediation – Epoch Listening as a Methodological Proposal for Diversified Musical Reception
16h00-17h00 - Closing Remarks
Anahid Kassabian, James Deaville, Emile Wennekes, Manuel Deniz Silva
FCSH-UNL, Lisbon, Portugal
June 10-12 2011
Friday, June 10
16h00 – Word of Welcome: Prof. Salwa Castelo-Branco (director of the INET-MD)
16h15-16h30 - Opening Address: Emile Wennekes (Utrecht University; Chair MaM)
16h30-18h00 - Presentation of “Listening to the moving images” research project:
- Manuel Deniz Silva (INET-MD) and Tiago Baptista (Cinemateca - Portuguese Film Museum), Reconstructing the Musical Accompaniment of two Portuguese Silent Movies, Os Lobos (1923) and Lisboa, Crónica Anedótica (1930)
- Pedro Rodrigues, Pedro Roxo, Hugo Silva and João Ricardo Pinto (INET-MD), Research in Music, Sound and Moving Image in Portugal
18h00-19h00 - Welcome Cocktail
Saturday, June 11
09h00-10h30 - Session 1
- Lidia López Gómez (Universidad Autónoma de Barcelona, Spain), Music and Politics in Alexander Nevsky, the Propaganda Role of Prokofiev’s Music in the Cinema.
- Teresa Fraile (Universidad de Extremadura, Spain) Popular Music and National Identity on Spanish Cinema during the 1950s
- Martin Knust (University of Stockholm, Sweden), Film better than Concert Hall? About Hugo Alfvéns Music for the Film
11h00-12h30 - Session 2
- Thijs Vroegh (Utrecht University, the Netherlands/ University of Cambridge, UK), Constructing Musical Storyworlds: A Model for Understanding the Experience and Effects of Psychological Transportation into ‘Narrative Music’
- Alessandro Cecchi (University of Siena, Italy), The Sound of Industry: Musical Experimentation in Italian Industrial Film during the 1960s
- Yayoi Uno Everett (Emory University, USA), From Nixon in China to Doctor Atomic: Repetition and Myth in John Adams’s Operas
12h30 – 14h00 - Lunch
14h00- 15h00 - Keynote Speaker: James Deaville (Carleton University, Canada), Television Music Studies: Past, Present and Future
15h15-16h45 - Session 3
- Michael Saffle (Virginia Tech, USA) “The Sopranos and Telemusical Re-presentation / Transformation”
- Juan Chattah (University of Miami, USA), Towards a Cognitive/Semiotic Model for The Investigation of Irony in Film Music
- Gaia Varon (University of Bologna, Italy), Performing Performances: Some Considerations on the Role of the Filming and Recording Crews in Classical Music Videos.
17h15-19h30 – Conference by composer António de Sousa Dias.
- Screening of Natureza Morta [Still Life], film directed by Susana de Sousa Dias, 72 min, Portugal, 2005.
Sunday, June 12
09h30-11h00 - Session 4
- Urszula Mieszkieło (Leuven, Belgium) Dance Music as an Expression of the State of Mind: The Music of Wojciech Kilar in The Leper and Jealousy and Medicine
- Ewelina Boczkowska (Youngstown State University, USA), Film's Musical Moment as a Cultural Form in Roman Polanski’s Death and the Maiden
- Marco Cosci (Università degli Studi di Pavia-Cremona, Italy), Audiovisual Recurrences
in Time: Alain Resnais’s L'année dernière à Marienbad
11h30-12h30 - Keynote Speaker: Anahid Kassabian (University of Liverpool, UK), Smartphone Apps and the Environments of the Future
12h30-14h00 - Lunch
14h00-15h30 - Sesssion 5
- Judith Cohen (York University, Toronto, Canada), Re-shaping Sephardic Music through the Media - a Perspective from Two Centuries
- Maurilio Andrade Rocha (Universidade Federal de Minas Gerais, Brazil) Brazilian Popular Song and its Relations to Urban Violence and Media
- Consiglia Latorre (Instituto de Cultura e Arte da Universidade Federal do Ceará, Brazil) Song and Technological Mediation – Epoch Listening as a Methodological Proposal for Diversified Musical Reception
16h00-17h00 - Closing Remarks
Anahid Kassabian, James Deaville, Emile Wennekes, Manuel Deniz Silva
quarta-feira, 11 de maio de 2011
O som e a música na obra de João César Monteiro: Quarta-feira, 18 de Maio, às 17h30
O som e a música na obra de João César Monteiro
Com Paulo Filipe Monteiro; Francesco Giarrusso; Liliana Navarra; Gita Cerveira
Seminário do projecto "À escuta das imagens em movimento"
Quarta-feira, 18 de Maio, às 17h30
Faculdade de Ciências Sociais e Humanas - FCSH-UNL
Av.Berna, 26
Sala 1.06 Piso 1 Edifício ID (ex-DRM)
Com Paulo Filipe Monteiro; Francesco Giarrusso; Liliana Navarra; Gita Cerveira
Seminário do projecto "À escuta das imagens em movimento"
Quarta-feira, 18 de Maio, às 17h30
Faculdade de Ciências Sociais e Humanas - FCSH-UNL
Av.Berna, 26
Sala 1.06 Piso 1 Edifício ID (ex-DRM)
segunda-feira, 21 de fevereiro de 2011
Amália e o cinema: 2 de Março, 18h30, FCSH-UNL
Amália e o cinema
com Rui Vieira Nery e Tiago Baptista
Quarta-feira, 2 de Março, às 18h30
Torre, Auditório 1
Faculdade de Ciências Sociais e Humanas
Universidade Nova de Lisboa
Lisboa, Av. Berna, 26
Rui Vieira Nery
(musicólogo, investigador do INET-MD, autor de Pensar Amália, Tugaland, 2010)
Tiago Baptista
(investigador da Cinemateca Portuguesa, autor de Ver Amália: os Filmes de Amália Rodrigues, Tinta-da-china, 2009)
Seminário integrado no projecto “À escuta das imagens em movimento – novas metodologias interdisciplinares para o estudo da música no cinema em Portugal”, do Instituto de Etnomusicologia – Centro de Estudos de Música e Dança – INET-MD (FCSH-UNL)
Entrada livre
terça-feira, 8 de fevereiro de 2011
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